On the Easel…


Following on from the expanded compositional idea pioneered in the previous, recently-finished painting (White Pears #21), this latest work on the easel follows the same template, merely making slight alterations to the positioning of the objects upon the two horizontal surfaces in the interests of establishing another ‘dynamic’ between them, on this occasion parting the upper pair of whitewashed pears and snuggling/jostling the lower trio together in something of a Morandi-esque fashion.


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